Tutorial Tuesday | Scraplifting Yourself

Welcome to another installment of our Tutorial Tuesday series here on The Digital Press blog! Today, I am here to advocate for a simple technique that will help you create more scrapbook pages (and faster, and more easily!) — scraplifting yourself.

I would like to use this post to encourage you to be gentle on yourself and not feel as though every layout you create has to be a masterpiece… while also helping you to avoid feeling as though creating layouts leaves you feeling drained. It’s a hobby and it should be fun, right?

Let’s be honest… life is busy, and there are so many things that have to be done all the time. Often we find that by the time we sit down at the computer to take advantage of a few moments of crafty “me time,” our creative energy seems to have dissipated.

How to solve this?

You can always turn to your tried-and-true sources for inspiration. I love The Digital Press Gallery; Pinterest is another fun source of ideas (as is Instagram, as people are posting their scrapbooking creations there more and more often all the time nowadays!). Sometimes, though, I find that I use up all of my scrapping time just looking at other people’s layouts without doing anything with my own photos and getting any of my stories told. Oops! This ends up leaving me feeling despondent and uncreative.

An easy fix for me is to choose the photos I want to scrapbook, and then look at my own arsenal of previous layouts… with the goal being to re-create one that uses the same number of photos, along w/ a new/different kit or collection. I just clip (Ctrl-G) the new papers and photos over the existing ones, and swap out the embellishments with new items from the kit I am working with the second time around.

For example, let’s take this layout that I created for TDP’s 3-for-3 challenge in March 2017…

Characteristics of This Layout:

  • 3 photos
  • 3 different patterned papers
  • visual triangle of clusters
  • engaging title
  • complimentary colours of red and blue
  • right-aligned journaling

I still love this layout, and so for the next layout I had just 30 minutes to create and I started with 3 photos of my grandnieces playing outside of the holiday house we shared in December.

I kept the placement of just about everything exactly the same –the photos, papers and journaling — and I changed up the date, etc. Instead of creating a new title, I used a pre-designed piece of word art from the newest TDP Designer Collaboration “Fresh Air“. I still have foundation layers of paint and a scatter. Three points of orange, with a fourth embellishment spot that is tone-on-tone blue to break boundaries and add a different shaped element for interest. I added shadows as I went along… and in 30 minutes, it was finished and ready to be printed!

Here’s a look…

Again, Characteristics of This Layout:

  • 3 photos
  • 3 patterned papers
  • visual triangle of orange
  • wordart title
  • complimentary colours of blue and orange
  • centered journaling

I decided to use this page’s composition one more time. For this last layout, we had a family BBQ on the day before we left Johannesburg and I wanted to highlight the men’s role in cooking and that the women had a relaxed off duty kind of day. 🙂

For this newest page, I wanted to include a 4th photo of my hubby grilling the meat… so I nudged the photos to the right and squeezed him in there. You can see more similarities with the second layout than the first, including white piece of word art layered over the photo, and centered journaling. Of course, these layouts look strikingly similar — but you could also mix things up by turning the design 90 degrees, or by flipping the paper layers found at the top to the bottom of the page, instead (or changing up the font, etc.). I went for speed over creativity, though, and as these layouts will be separated within the family album of 2016 with different opposing layouts I can almost bet that no one will even notice that they’re almost the same…

Characteristics of This Third Layout:

  • 4 photos
  • 3 patterned papers
  • diagonal/asymmetrical points of pink
  • Blue, green and pink
  • wordart title and sub-titles
  • centered journaling

What do you think? Do you have 30 minutes to spare, in which you want to complete a brand-new layout in just that short time? This technique will help you do so! Just turn to a tried-and-true layout design that you already love… open that PSD or TIF file… remove the papers and embellishments… and start again!

If you give this a try, I’d love to see your results! Feel free to load your layouts to The Digital Press Gallery, and you can even link us up to the original layout in your credits/description if you want to.


 About the Author  Stefanie is a member of the creative team here at The Digital Press Co. She is a mom of three older children, all living in Cape Town, South Africa, with her hubby of 29 years and their two cats. In her free time she loves digital scrapbooking, dabbling in photography and reading.

Feature Friday | Laura Banasiak

It’s time for another edition of our Feature Friday series here at The Digital Press… and this week, I am excited to feature Laura Banasiak here on the blog! This is Laura’s second feature here on the blog (you can find her first feature from June 2016 HERE), and whereas last year we used our feature series to help you get to know some fun trivia about your favorite designers… this year, we’re using our designer feature series to give you a little peek into our designers’ creative spaces, as well as more insight into their creative processes.

With that in mind, we asked Laura to give us a peek into her creative space (a.k.a. “where the magic happens”!)… but she did even better than that! Just wait until you see this! 🙂

According to Laura, “My work space is really wherever I can manage to hide away from my kids for a few minutes with my laptop. Someday maybe I’ll work at a desk again… but in the meantime… my computer’s desktop background (above) is a photo from this past weekend’s “Heroes and Villains Fan Fest” in Chicago. My boyfriend and I have been working disability services at the conventions for the last three years… although last year’s convention didn’t go as planned, as we ended up missing out on it after my water broke at the venue and our little guy Ryker (in photo, above, held by actor Jeffrey Dean Morgan of The Walking Dead) was born that day. We like to keep things interesting! Ryker is now the unofficial adorable Chicago convention mascot!”

Here are a few other photos Laura shared with us from the most recent convention she just attended… how fun is this?!

We also asked Laura to give us a “Top 5” list that is representative of her at this point in life, and this was what she came up with… Laura’s Top 5 Bands!

  1. Walk Off the Earth
  2. Deftones
  3. Incubus
  4. Avanged Sevenfold
  5. 10 Years

As for Laura’s designs… her kits are always full of colorful and funky elements, loads of hand-drawn doodles, and various hand-crafted artsy elements. In addition to digital kits, she also creates awesome fonts, alphas, and word art sets… all of which have a very special style that is all her own, and you can usually recognize her products without even seeing her name on the packaging. I love working with her products, because Laura creates all kinds of goodies!

I picked some of my favorite products to share with you from Laura Banasiak’s store here at The Digital Press…

Her products are super versatile and easy to use for all kinds of projects. Aren’t they fun?

I also pulled together a sampling of some really fantastic, creative projects that use Laura’s products…

 

I hope you’ve enjoyed learning more about Laura Banasiak and getting a peek into her creative space! To celebrate her week as our Featured Designer here at The Digital Press, her entire store will be 30% OFF all week long (the sale will end at 11:59 ET on Thursday 4/6).

Additionally, this week only — you can snag Laura’s brand-new, just-released “Little Crab” Mini Kit for FREE with any $10+ purchase in the Laura Banasiak shop at The Digital Press (this offer also ends at 11:59pm ET on Thurs 4/6)…


Miranda

About the Author  Miranda is mom of two teenage boys, aged 14 and 16 years old, and is also a fur-mummy for her 3 Bernese Mountain Dogs. She lives in the South of the Netherlands, close to the beach where she loves to walk with her dogs. In real life she is HSE-responsible for few companies in the construction industry. She loves to read Danielle Steel novels, long walks at the beach and she loves Italy; and has been digiscrap-addicted since 2007.

Tutorial Tuesday | Blend Modes

Welcome to another installment of our Tutorial Tuesday series! Today, I want to share a few ways I use blend modes in Photoshop in order to blend my own custom background papers for my layouts!

Layer blend modes can be quite confusing, and honestly I think that simply playing around with them & trying out different opacities is the best way to learn what fits your style. In general, though, layer blend modes change the way layers (or their colors) react with each other.

The modes that I use the most are:

  • Linear Burn & Multiply (the 2nd group of blend modes make things darker; eliminates whites)
  • Screen (3rd group of blend modes make things lighter; eliminates blacks)
  • Overlay & Soft Light (4th group of blend modes generally make things lighter; they work with the gray tones, and results depend on the colors of your base layer)

The Blend mode panel is found just above the layers in the Layer panel. The default is always ‘normal’ and clicking on the small ‘v’  will bring down the rest of the blending options, as shown here…

Here are a few examples of how I used the blend modes mentioned above to combine two papers together in order to make my own unique background papers. I’ve shown my final layout (top left), the original paper files from the kit I used (bottom left and right), and also the blended version (top right) along with information about the modes/opacities I used…

In the next example, the text paper (lower left) was super fun & I really wanted to use it… but as a background on its own, it was a tiny bit too distracting. Blending it into the starburst paper (lower right) & then lowering the opacity almost all the way down solved that problem. You can still see & read the words on the new version (top right)… but it doesn’t overpower the layout (top left) any longer…

In the next example, I loved the swirly paper (lower right) and wanted to use it for my background, but it was a bit too bright. When I lowered the opacity, however, it seemed to wash out the pretty greens in the paper. My solution was to use a solid green background paper (lower left) because it helped to keep that color nice & sharp, while still decreasing how bold the pattern looks on my layout (top left)…

The next example highlights a useful tip I want to share — which is that if you can’t get it just right with one blend mode, you can always combine it with another mode and/or duplicate the layer that you’re blending. In the following example, I wanted that hexagon paper (lower right) to pop, even despite the darker paper I combined it with. Duplicating the paper and lowering its opacity gave me the defined hexagons I was going for…

Moral to the story: if you love a certain pattern, but you need a darker/different color for your layout… or if you want to tone down the brightness… or if you simply need a certain color to tie your photos together with a kit… blend modes can be your new B.F.F.! Through the use of blend modes, the possibilities are endless!

It’s also a great technique that can help you stretch your scrapping stash! The sky is the limit when it comes to making something unique and creating your own style with just a few clicks of the mouse! 🙂


AmieAbout the Author  Amie is a craft-loving dental hygienist who lives in Washington state. She loves her husband, her two kids (ages 9 & 5), and her English Bulldog… as well as coffee, baking cupcakes, daffodils, glitter & sprinkles, reading a good book, and lip gloss — not necessarily in that order.

Feature Friday | Wildheart Designs

It’s time for another edition of Feature Friday here at The Digital Press… and this week, I am excited to feature Lisa Sisneros of Wildheart Designs here on the blog! This is Lisa’s second feature here on the blog (you can find her first feature from August 2016 HERE), and whereas last year we used our feature series to help you get to know some fun trivia about your favorite designers, this year we’re using our designer feature series to give you a little peek into our designers’ creative spaces and also some more insight into their creative processes.

With that in mind, check out Lisa’s creative space… isn’t it great?! I can definitely see how this space would be conducive to the creative flow…

 

We also asked Lisa for a “Top 5” list related to things that define her at this point in her life, and this was what she came up with — the “Top 5 List of Things She Loves(I’m sure we can all relate to most all of these! Her love of “hot pink anything” certainly speaks for itself in her creative space)…

  1. Hot Pink anything
  2. The Red Queen book series
  3. Naps
  4. This Chocolate Chip Sour Cream Muffin Recipe
  5. Unicorns (still!)

 

As for Lisa’s design style… she creates digital products that are “paper-realistic” in style, with lots of fun themed items and textured elements that are perfect for layering. Here is just a small sampling of what you will find in the Wildheart Designs shop at The Digital Press…

 

And here are just a handful of sample layouts using Lisa’s designs, so you can get a peek at her fantastic designs in action…

 

I hope you enjoyed getting to know a little bit more about Lisa (and looking into her fabulous creative space!), and I am sure that you will have no problem finding some new favorites in her shop at The Digital Press which will be 30% OFF all week long during her Feature week (the sale will end at 11:59 EST on Thursday 3/30)! Check your wishlist, and don’t miss out on this great chance to clear it out at a discounted rate!

Additionally, this week only — you can snag Lisa’s “Oh, Joy!” Kit for FREE with any $10+ purchase in the Wildheart Designs shop at The Digital Press (this offer also ends at 11:59pm ET on Thurs 3/30)…


About the author   Rae is a member of the creative team here at The Digital Press. She is a Mom of three daughters, grandmother to 2. She lives in west central Indiana with her hubby of almost 24 years and their youngest daughter. She is a digi-scrap addict and a bit of a computer software geek, having worked for several years as a software/IT administrator/architect. She loves any opportunity to travel with her hubby who travels most every week for work. Her family are definitely the loves of her life and she is loving life as a “MomMom” as her grandchildren lovingly refer to her.

Tutorial Tuesday | Brightening Dark or Dull Photos

Have you ever just been browsing through the gallery and seen a page that really just POPPED right out at you? More often than not, that page popped like that because of a gorgeous photograph that the scrapper used. Photographs, and I mean really good photographs, can really make even the most simple page shine!

I hear scrappers comment “Well, I am not a professional photographer, and I don’t have time to learn, so I just use whatever photos I have!” Believe me when I say, “I GET THAT!”  Life is crazy!  At least I know mine is, and I don’t want to spend hours tweaking every single photo I put into our memory books either.

But what if I told you that you could tweak most photos, even the photos you take on your phone, just a little, and improve their appeal incredibly?  Would you be interested to learn how?

Here at The Digital Press we are starting a simple Tutorial Tuesday Series entitled Quick Photo Fixes.  Little tips and tricks to help you step up your everyday photos quickly and easily, so they shine on your layouts and even make those layouts pop right out of the galleries.

Today I want to start with something simple – brightening dark/dull photos.  We all have photos that we took (often with our phone) that are just too dark and drab feeling.  Sometimes they are WAY too dark and you can barely make out the subject matter, but a lot of the time photos are just dark enough to look muddy and dull. They are still usable, but they don’t say WOW! Today I want to show you three simple ways you can brighten those photos and make them stand out just a bit more.

Now, before we start, I want to say that in the world of photography, how under or over exposed a photo is has really become a very personal and artistic thing.  Some photographers swear by certain levels and others just go with what makes them happy.

Here are two different portraits taken from a popular photography site – both are beautiful, and tell their story well, but have different levels of brightness/exposure and so create a different feel.

Since we are working on photos to use in our family memory keeping, I want you to feel free to go with whatever level of brightness makes you happy or fits the mood of your layout.  I personally tend to lean towards brighter, lighter photos with lots of contrast, and sometimes get told mine are “overexposed.” But that is OK with me, because I like the way they feel.  Unless you are a professional photographer and make a living on other people’s desires and opinions, don’t let other people’s aesthetics make you doubt yourself. These are your memories, you make them as bright and happy as you want!

Now, for the fun stuff.

These days I find I am taking a lot of photos with my phone, mostly because my favorite DSLR is starting to die on me and I can’t face the pain of admitting that. But also because I almost always have my phone with me, but my big bulky camera, not so much.  Camera phones really have come a long way, but I find mine still tends to struggle with getting the brightness levels right – especially when we are indoors, and I currently live in the Pacific Northwest where rainy season has taken on a new meaning – even for this Southeast Asian Tropical family – so most days we are inside.

However, I have found that most of the time I can correct the dark drab look of my photos, through one of these three different methods.

1. BRIGHTNESS and CONTRAST

The quickest and easiest method is to play with the Brightness and Contrast.  Granted, this won’t always do the trick, but it is a good place to start if you are new to photo editing or get overwhelmed in PS or PSE when playing around with photos.  It is pretty quick and simple, but it will still make a lovely difference in your photo.

Take this photo for example.

I took this photo of my daughter in a little shop outside a Thai village up in the mountains somewhere.  It was the middle of the day, very hot, very bright outside, but there was no lighting inside the shop except what came through the windows. That made the shop nice and cool, but it also meant that my photos ended up pretty dark.

To correct this, I opened up the brightness/contrast control panel.  You can find it under Image>Ajustments>Brightness/Contrast.

That will open up this little box with sliders for both brightness and contrast.

I brightened my image just enough to bring her face to the right skin tone and leave behind that grey tinge.

Then I added some contrast to bump the shadows back up and bring some pop to the photo.

You will notice that this washed out the background a bit – after all there is a LOT of bright sunshine poring in from those windows.  In this case, I don’t really care, because the background was not so important to this photo, but there are techniques that allow you to adjust for that.  We will cover those at a later date.

Here is a side by side of the original and final photo.

The whole process took less than a minute, and now I can plop this photo into a page.  The photo is not that great to begin with, a bit grainy because my phone was an older model, but the final product has much more appeal to me than the original photo.

2. ADJUSTING LEVELS

A second way to brighten up dark dull photos is by playing with the Levels.  This method is my personal favorite, and although it can seem a bit scary if it is unfamiliar to you, it is really not that difficult to get the hang of.  I like adjusting the levels because it gives you more control over all sections of your image, from shadows to highlights, while allowing you to make more subtle adjustments, and yet it stays pretty simple if you want it to.

I took this photo of my youngest on our front porch during a rain storm.  While there is obviously some light, the photo still ended up dark and dull feeling.  We can easily fix that with levels.

To adjust your levels go to Image>Adjustments>Levels and you will get a little box like this.

The graph that comes up that looks like a mountain range is called a histogram.  A histogram is nothing more than a graphical representation of the tonal values of your image – so basically it shows the amount of tones of a particular brightness found in your image.  Simply speaking, the blacker, or darker tones, are to your left while the whiter, or lighter tones, are to your right.  A good image will have a “mountain range” that spreads pretty evenly through all the values, stretching from left to right.  You can see from my histogram above, that this photograph is missing most of the lighter values to the farthest right.  We correct that by adjusting the sliders that you see at the bottom of the histogram.

For my photo I started with the right most slider, and pulled it towards the left, until it was right at the edge of my “mountain range”  That brightened up the lighter areas of my photo.

I then pulled the leftmost slider over to the right a little, to deepen the darker areas back up a touch.

You can also adjust the middle slider to correct the mid-tones if you feel the need.  I adjusted mine just a bit to bring back the facial features and little details of the photo I wanted to capture.

And again, in just a minute or so we have taken a dull photo up a notch to a fun, colorful capture of a playful moment. There is a lot more you can do with levels if you really want to learn, but this simple step will give you a bit more control over your photos.

3. CURVES

Finally, the third way to quickly brighten dark/dull photos is to use Curves.  You find curves in the same place, go to Image>Adjustments>Curves.

Now, there is a whole lot that you can do with curves, and it can get complicated.  However, for the sake of today’s tutorial we are going to keep it simple.

This time I am using an image that my oldest took in the car.  The selfie camera on his phone is not good at all, and it came out really dark!

So I open my image and go to adjust the curves. Again, a little graph will pop up, this time showing both your histogram, and a line running diagonally through it.

To adjust your curves for brightness, you want to make sure that the RGB path is selected in the channel drop down menu and then you are going to place your cursor on the mid-point of the line and drag it slightly higher.  You generally don’t need to move the line too far in order to change up the image, but you can move it around a bit, both up and down from the starting line, to get an idea of what happens when you do.

Here they are side by side, still not the best image in the world (what kind of face is that anyway ) but much better than the original don’t you think?

So, I hope that gave you a few new ideas on how to quickly brighten up dark or dull photos and really help them pop.  If you find one method does not give you the results you want on a particular photo, then try one of the other two and see if that works better.  Or, if you really want to have some fun tweaking your images, you can combine two or even all three of these techniques to really add contrast and color to your dull photos. If all of that still seems like too much work, you might want to look into some Photoshop Actions.  There are some really fun ones out there for the daring, and just plain simple ones as well for everyday fixes like this one. Some are free, and others cost a bit of money, but actions really do make photo edits quick and easy.  I use actions for a lot of my photo helps, so feel free to ask for recommendations if you don’t know where to look.

Thanks so much for following along with me, and have fun making those everyday photos just a bit more appealing!


ErinErin is an artsy crafty kind of girl who is currently dabbling in far too many things, but is working hard to enjoy every moment of it, while avoiding the rain, which is difficult due to living in the land of many rains.  She is slowly learning to use her smart phone to capture all the fun little bits of life that would otherwise go unremembered in the busy,craziness that is raising a family!

Hybrid How-To | Paper Pouches

Hello, everyone! Kate here to show you how to create these fun paper pouches — just in time for Easter!

Supplies

  • Digital kit of your choice (I used It’s a Spring Thing, found in the Juno Designs shop here at TDP)
  • Scissors or a straight cutter
  • Adhesive (for this project, I prefer glue dot strips OR hot glue)
  • Sewing Machine

Instructions

1. Print your chosen digital papers and cut into rectangles. Mine are 4″x5″ and 3″x5″…

2. Add the adhesive of your choice to the short edge of the rectangle and roll the paper up, adhering to the other short edge. You’re basically making a bunch of paper tubes.

3. Pinch one open end of the tube together and sew along the edge. Fill with candy, but don’t overfill or you will have trouble getting the other side to close. Once it’s filled, pinch the other end together — in the opposite direction (see below) — and sew along the edge…

And that’s all there is to it! I like to display these in a glass bowl on the coffee table, but they would also make an awesome edition to an Easter basket.

Want to give this a try (and earn challenge points toward the March 2017 challenges here at The Digital Press)? Come check out our monthly hybrid challenge information in the forum HERE.


Kate About the Author  Kate is on the hybrid team here at The Digital Press. She lives on the Utah/Colorado border with her husband, 5 kids, 10 chickens, and a dog named Gracie. She’s a city-born girl who found she’s really a country girl at heart. She can be found outside, barefoot, and probably in her garden.