Focus on the Good within the Bad

So often when we scrapbook, we show off the fun photos, we tell the favorite memories and we share all the good things in our lives. This is great and a large part of why we love this hobby.

But what about the bad days, the hard times and the moments when we just want to walk away from it all? Do they deserve their moment in the spotlight? Is it our job as the family storyteller to brush away the bad, hide it in the corners or the back rooms and hope that no one goes in? Is it our job to ONLY roll out the good, the wonderful, and the beautiful moments and put them on display to show what a wonderful life we have?

tdp_blog_post

I want to encourage you to memorialize the bad. Don’t brush it aside. Don’t pretend it never happened and most certainly don’t let guilt convince you that your hard days aren’t worth the telling. It doesn’t mean your pages have to be full of negative things, but be honest. Tell the real story of your family. Let it be a little raw. Let it cost you some tears in the telling. Pour out your heart into your pages and see what happens to your albums. Mix in the difficult memories with the good, sprinkle your books with a healthy dose of realness and watch your story come alive.

Remember, life happens. Life with all the pain, the beauty, the joy and the tears is worth being remembered.

Here are THREE tips to help you scrap the bad and still want to share your story with others!

LIST IT

Sit down and write out a list of the things you didn’t like about today or the holidays or the summer, etc. Get it out! Make that list and give yourself permission to be brutally honest about the things you hated in that moment. This will serve two purposes.

  • It allows you to get it out. You don’t have to let those negative thoughts or feelings stay hidden and fester. Write it down, get it out and move on.
  • It gives you perspective. If you see it written down in black and white, it is easier to then pair it with the good. You can’t appreciate the good, unless you’ve experienced the bad!

2014_summer_lo

USE STILL PHOTOS

It probably wasn’t possible, in the moment, to capture photos of everything going on. That doesn’t mean you are lost! I remember one of the many messes that Sam made, he had taken a brand new bottle of dish soap and poured it all over the kitchen and living room floors. That was some mess to clean up! The linloleum was bad enough with bubbles multiplying with every drop of water, but can you even imagine the carpet? It was awful. I was not in the mood to capture the moment with photos. But after the fact, I could take a still photo of some dish soap and a picture of my clean living room and talk about what happened when the two came together. In this way, no memory is ever too late to be told. Think back to any experience and think of 2-3 photos that would best sum up how you felt or what happened. Take the photos and scrap them while sharing the memory.

2009_soapsuds

TELL THE STORY

Write out the experience as if you were a fly on the wall telling the events. Write it all out. Even if the moment was bad, chances are with time and distance, the story can have a little humor. Wait until you are able to look back and laugh a little (even if you are cringing too) and describe it. Give as many details as you can remember and put it all out there! By telling the story one detail at a time, it distances you but gives the reader a chance to connect. The nice thing about bad memories is that we all have them! We’ve all had the cringe worthy experiences that we hope no one ever knows about. When one person is daring enough to share theirs, we feel an immediate connection that we are not alone!

2014_autism

Life Happens. Life is not easy. Don’t get so caught up in documenting the wonderful that you forget the difficult. It is all part of your story and deserves a chance to be told. And as I read recently:

“Never blame any day in your life.

Good days give you happiness.

Bad days give you experience.

Worst days give you a lesson.”

So cherish your happiness, ponder your experiences and learn from your lessons! And in the meantime, check out my challenge HERE in the forum!

Ramona About the Author: Ramona Brown is a storyteller and graphic/web designer. She loves finding the stories in the every day and sharing them with others. She believes that everyone should “Scrap Your Story” and find purpose and meaning in doing it. Her best stories come from life with her six kids and the adventures they take her on daily! You can read more of her stories on her blog.

Focus on Organization using Adobe Bridge

Focus on Organization using Adobe Bridge
 
Being organized in life generally means we are more efficient, and the same goes for digital scrapbooking. I love to create “mash up” layouts where many different elements and papers from many different kits are used. For instance (click for credits):
Focus on Organization using Adobe Bridge
 
Layouts like this take a lot longer to complete without having an organized stash. Enter: Adobe Bridge. If you are a Creative Cloud subscriber or own a copy of Photoshop, it’s likely you also own Adobe Bridge. If you do, here is a tutorial on how to get your digiscrapping supplies organized in that software!
 
First of all, open Adobe Bridge and make sure the keywords panel is visible by going to the Window menu and ensuring Keywords Panel is checked (make sure your Folders Panel is also checked):

Focus on Organization using Adobe Bridge
 
Next you’ll need to set up some keywords. If you currently don’t have a keyword library set up, feel free to download mine HERE. You can then import them by going to the drop down menu on the side of the Keywords Panel and choosing “Import” and then navigating to this downloaded file. Importing these keywords will update your current keywords list, but will not replace it.

Focus on Organization using Adobe Bridge
 
Once you have your keyword structure set up in a way that makes sense to you, you can start tagging your items. To add a keyword, click the same drop down menu you used to import the keywords list and choose “New Keyword.” To add a sub keyword to one of the existing categories, hover other the top level of the category, right-click, and choose “New Sub Keyword.”

Focus on Organization using Adobe Bridge
 
Jpgs, pngs, psds, tiffs, etc. can be tagged, but things like actual folders, layer styles, brushes, etc. cannot be tagged. There should be a pop up that will warn you when something cannot be tagged. The reason that Adobe Bridge tagging is so powerful is that it embeds the keyword/tag right into the metadata of your file, so you can search keywords outside of Bridge on your computer and that tag will still be associated with that file. This also means that if Adobe Bridge were to be uninstalled at any time and reinstalled, your files will be tagged already and you will not have to re-catalogue your entire library of digiscrapping supplies. This is a huge time saver!

OK, so on the left hand side you see the Folders Panel. Navigate to the place where you keep your digiscrapping supplies. I tend to organize my folders by designer, or by store and then designer within the store folder if I have things from a few different designers within one store. This is helpful if you like participating in challenges where you can only use items from that particular store. You can see a bit of my file structure here on the left:

Focus on Organization using Adobe Bridge
 
To tag something, simply select the thumbnail and then check off the keywords you want associated with that file in the keywords panel. If you see a list of filenames rather than thumbnails, you can go to the View menu along the top and make sure “As Thumbnails” is selected. If you want to see the thumbnails bigger or smaller, use the size slider on the very bottom of the software window. You can tag an item with as many keywords as you like. For instance, if you have a paper with two predominant colours, you can tag it as “multi-coloured” or with the two main colours. You can quickly see which keywords are assigned to your selected thumbnail by looking at “Assigned Keywords:” at the top of the Keywords Panel.

Focus on Organization using Adobe Bridge
 
Using your keywords is as simple as selecting the folder you want to search within in the folders panel on the left and then typing the keyword in the search box on the top right of the software. For instance, if I’m doing a TDP challenge that has to include a piece of string, I would select The Digital Press store folder in the folders panel on the left and then search “string” on the top right and all the tagged string from my TDP stash will appear in the content window:

Focus on Organization using Adobe Bridge
 
I hope this tutorial helps you get on your way with using Adobe Bridge to organize your stash. The time invested in organizing is well worth it, as it will make your scrapping time more efficient and enjoyable! Feel free to ask questions in the comments below and I’ll help as much as I can. Happy organizing!
 
 
Amy H.About the Author: Amy is a wife and mom to three from Ontario, Canada. She’s always been interested in scrapbooking, but didn’t try digiscrapping until 2008 when she received PSE for her birthday. By then she had 1 year old twins and a baby, so the thought of just playing for 10 minutes, hitting save and walking away with no mess was extremely appealing! She’s been hooked ever since. She loves being the memory keeper in the family, loves taking photos, loves telling the stories. She’s also excited to know that these memories are recorded for her grandchildren to enjoy someday!

Focus on Capturing the Everyday

Capture the EverydayHey All! Krista here taking over the blog today 🙂

Part of telling our story is including the details that make up our everyday. Sure I love to scrap all the fun, BIG moments- our vacations, birthdays and holidays. But some of our most cherished moments happen in the mundane of our everyday.

 Here are 3 easy tips to help you Capture the Everyday:
tdp blog 4 tdp blog 1

1. Keep your camera out and ready.

I keep my DSLR (Canon Mark ii) on all the time with a Memory Card in it. It sits on our kitchen counter ready to be grabbed at any moment. I admit I grab my iPad or iPhone 70% of the time to catch our everyday moments, but I do try to use my DSLR as well. I think mobile photos make great everyday pocket pages. The photos aren’t generally the best quality and would look best sized smaller.
I have a smaller camera (Canon 7d) “my diaper bag camera” that I take with me to the park or on vacation. If I had to lug my big DSLR, I most likely wouldn’t take as many photos. I can also fall back on my phone too.
 tdpblog9
tdp bog 2
2. Make the Effort.
It takes effort to document your daily life. The thought of documenting every.detail.of.our.day seems daunting. It overwhelms me to the point that I don’t want to do it. I actually want to do the opposite! lol
I let myself off the hook and capture a moment here and there. I focus on things my Kids like to do all the time- play Barbies, Legos, ride bikes, etc. I snap a few pictures and then join in with them and have fun.
tdp blog 3tdp blog 5
3. Let your Kids in on the Fun!
My Kids are so used to seeing a camera out and they are getting interested in taking photos too! And what a great way to get in some of the photos too! Hand over your camera and let the Kiddos in on the fun too! I love downloading the photos after they have had my camera and seeing what they captured.
 tdp blog 8

Krista About the Author: Krista Lund is a mom of 3, married to her High School Sweetheart living in SF Bay Area. Some of her favorite things are brownies, chips n dip, taking pictures and documenting her family’s story.

Focus on YOUrself

Hello everyone – Judie here with my first blog post and related challenge at The Digital Press!  I’m going to be talking about the “oh so dreaded” selfie (well, for some of us, anyway).  But it really doesn’t have to be that way – I promise!  We all know the importance of documenting ourselves along with our family and friends, but too many of us skip over it because it’s a pain to take selfies, or we don’t want to give up the camera to someone else, or we simply hate taking photos of ourselves.  If you’re not one of those lucky people who are naturally photogenic and love snapping selfies, then this post is for you.  Even if you are a selfie aficionado, you might just pick up a couple of cool tips along the way. 🙂

 

Focus on Yourself

 

I was definitely one of those people (the one who always ran away from the camera unless I was behind it taking the photos), until I decided to make a project of it last year, and now I have a hard drive full of selfies and a gallery full of layouts that document me.  So, how did I do it?  I was simple really, instead of focusing on taking pictures of myself, I focused on the process of learning about portrait photography.  That way, the focus was on growing my photography skills, as opposed to just taking photos of myself.  This approach really helped me to get interested in the process of documenting myself and, after a while, I found that I really enjoyed it (both the photos and the scrapping).

 

This is one of my favorite selfies (taken in December 2014):

 

Focus on Yourself

Created with Woodland Winter by Studio Flergs

 

Step One: Taking the Photos

I thought I’d start by sharing my process with you, and then suggesting some other ways to put the photo focus on you.  As I mentioned earlier, I encouraged myself to take selfies by approaching the project as a photographic learning experience.  There are many online tutorials and tons of books and resources on taking selfies or head shots.  If you Google “self-portrait” you’ll find many free articles and videos, but here are some of my favorites:

 

 

These are just a few of my favorites, but there are many more resources out there.  I’d love it if you’d share your favorites in the comments to this article. 🙂

 

I used my DSLR (Canon 70D), 100mm lens,  tripod and remote shutter release for my selfie project – but you don’t need all of this equipment.  I would highly recommend some type of tripod, though.  It will give you much greater freedom in terms of your environment and posing if you aren’t limited to the reach of your arm.   A camera with a repositionable viewing screen and remote is also optimal because you can see exactly what the photo will look like before you take it.  This set up gave me the opportunity to test different poses and determine which ones worked the best (without taking 100+ photos).  Of course, you don’t have to focus on the technical photography details.  If you’re more comfortable taking arm’s length selfies with your cell phone – go for it!   The most important thing is that you get in front of the camera.

 

Here are some tips from my year-long selfie taking experience:

  • Try to take photos in natural light whenever possible (you’ll like the results a lot better).
  • Don’t take photos in bright sunlight, though.  If it’s a sunny day, take photos in a shaded spot or at sunrise/sunset.
  • Try to vary your environment and poses so that you don’t have a group of photos that all look the same at the end of the year.
  • Don’t be afraid to include props in your photos (such as a Starbucks cup, football, favorite book, cell phone, etc.).
  • Remember that a selfie doesn’t have to be limited to just you!  Feel free to include others in your photo to document your relationships.
  • If you don’t like yourself in photos, wear sunglasses.  Everyone looks cool in sunglasses – seriously.
  • Get creative and really let your personality shine through in your photos!

 

Here are a couple of examples of creative selfies.  One that I used several filters on (see what I mean about sunglasses?) and one with my iPhone that I used as a “frame” for another photo:

 

Focus on Yourself

 

And here are a couple examples of non-traditional (straight on) poses:

 

Focus on Yourself

 

Step 2: Getting the Photos Out of Your Camera

 

The next step is getting those photos out of the camera and ready to go in your scrapbooks (digital or hybrid).  If you are using your cell phone, you may be able to process the photos right on the phone itself, or you can download and process them in your favorite software (Lightroom, Photoshop, etc.).  I shoot in RAW and use a combination of Lightroom, Photoshop and RadLab for my photos.  I start by doing basic adjustments in Lightroom (white balance, exposure, sharpening).  Then I tweak the  photo in Photoshop (eye pop, skin softening, etc.).  Then I export to RadLab and add my favorite adjustments there.  Don’t go overboard with the process though.  The whole point of this exercise is to have photos that document you.  The last thing you want are photos that look over-processed or nothing at all like you.  My post-processing goals are limited to making basic adjustments and adding a pop of color (or converting to black & white).  The entire procedure only takes me a few minutes for each photo.  Even this basic post-processing can make a big difference, though.  Here is an example of a photo straight out of the camera, and after post-processing:

 

 

Focus on Yourself

 

There are hundreds of resources for photo retouching techniques, but one of my favorites for Photoshop is Professional Portrait Retouching by Scott Kelby.  If you Google “photo retouching” and your software program you’ll find many free tutorials and YouTube videos on the subject.  You can spend as little, or as much time on the post-processing as you like, just make sure the the final result is still true to YOU.

 

After a selfie shoot, I generally download all the photos onto my computer and pick out my favorites.  Then, I delete (yes, I said delete) all the other ones.  One disadvantage to shooting in RAW format is that the files are pretty large, so I don’t want a bunch of photos that I’ll never use taking up space on my hard drive (or external hard drive).  While we’re on the subject of EHDs, let me take a second to remind you to back up your photos.  I don’t delete them from my camera until I have them saved in at least two (often three) different places.  Generally, I have a copy on my desktop hard drive, a copy on an external hard drive, and a copy in the cloud.  If I do the back up as I download from my camera, I never have to worry about losing anything.  After downloading the photos, I put the selfies in their own organizational folder in Lightroom.  That way, I have them all in one place and don’t have to go through folders by date to find the one I want.  Sometimes, I do the post-processing before I know what digital page I’m going to use the photo on, but most of the time I process them as a scrap.  As I mentioned before, my post-processing only takes a couple of minutes, so it’s not a big deal to wait until I know whether I want to use a color or b/w version of the photo.

 

Step 3:  Getting Creative & Documenting YOU

 

The whole point of this exercise is to document YOU and your life, right?  So it doesn’t do any good to take photos and leave them on your computer.  As digital scrappers, we document with photos and (sometimes) journaling.  So let’s talk about the best part of the process – getting creative with your selfies!  I talked about some ways of getting creative when taking the photos, but as you know, creativity knows no bounds with digital art.  Here are some of my favorite ways to incorporate selfies into a digital page:

 

  • Include the post-processed photo on a traditional digital page.
  • Blend a photo into the background of an art journaling page.
  • Apply an artistic filter to the photo and use it on a page.
  • Include the photo in a pocket scrapping page.
  • Make a review page, including selfies from throughout the month, quarter or year.
  • Make a photo shoot page, including selfies from a particular photo shoot.
  • Use a photo with you wearing sunglasses and replace the lenses with reflective photos or patterned paper – BE CREATIVE!

 

Again, the most important part is to get the photos off of the computer and into a page documenting you.  If you are uncomfortable scrapping photos of yourself, try doing something creative with the photo such as applying a sketch filter and blending it into the background of the page.  Ready for some selfie inspiration?  Here are some examples of some of the the styles I mentioned above:

 

First up is a traditional page with a post-processed photo:

 

Focus on Yourself

Created with Krafty Basics by Mari Koegelenberg Creations

 

Here is an example of an art journaling type of page with a sketched version of the photo blended into the background:

 

Focus on Yourself

Created with It’s Complicated by Sugarplum Paperie

 

Finally, here is an example of using a photo with a sketch filter applied:

 

Focus on Yourself

Created with Emotions by Anita Designs

 

So, are you ready for a selfie challenge?  Be sure to check the The Drawing Board forum and join me in the January Focus on Yourself Challenge!

Until next time ~
Judie

 

Judie About the Author:  Judie is a member of The Digital Press creative team.  She spends most of her time engaged in creative endeavors of all sorts.  Traveling, Starbucks, football and Harry Potter are just a few of her favorite things.

 

3 ways to capture life’s details like a pro

3 ways to capture life's details like a pro

As a wedding photographer, you quickly learn the value and meaning that small details can have. Weddings are full of details that a couple and their families put a lot of themselves into: items that represent their love for each other and the way they live their lives. Capturing those items – from the invitations, to the flowers, to the rings – is an essential part of capturing what it feels like to be there on the day. In other words, some of those details are an intrinsic part of the memories that are created, and the memories that I as the photographer hope will be evoked one day when people look at the photos.

Some of my favourite detail photos, in addition to being part of the day, have a story to tell all on their own, like the bride who spent hours knitting her own flowers with her friends, or the groom who was so inspired by Boardwalk Empire that his shoes got almost as much attention on the day as his bride’s!

3 ways to capture life's details like a pro

Obviously, a wedding is a planned event, and a significant one. In our everyday lives, we’re less likely to encounter cute calligraphy and artfully arranged roses. But that’s not to say that there aren’t beautiful details to be captured that can enhance your storytelling and add another layer to what you scrapbook. Here are my top three tips on how to take some inspiration from the pro photographers and capture the details to enrich your memory-keeping, along with some favorite photo examples of how I’ve applied my wedding shooting style to my personal photos:

  1. Don’t go straight to the portrait
    It’s easy enough to do, especially when we’re standing behind the camera looking at friends and family. Part of us can’t help but want to see smiling faces: we want the ‘cheese!’ moment. But before you ask your kids or BFFs to pose nicely and grin for the camera, think about how you could capture a thing in the photo, not just the people.A classic example is a kid who’s drawing you the most gorgeous (obviously) picture. It might be tempting to ask them to hold it up and smile, but first try to take a moment and document their grip on the pen, the way they stick their tongue out when they concentrate, or the picture from above as they are drawing it.3 ways to capture life's details like a pro
  2. Fill the frame
    To really place the focus on the detail, set up your shot so that you get a whole photo of one thing. Play around with your aperture or try out macro mode to experiment with depth and field too, so that your image has one area of focus that really stands out against your background. Don’t be afraid to style a little – often a small collection of things is incredibly visually effective.3 ways to capture life's details like a pro
  3. Capture the ‘where’
    I think most of us are pretty good at capturing and documenting who was there and what we did. Detail photos can enrich this story by showing you more about where you were. Capture what the light was like, the way you’d like to remember the colors, or any little features about the background or surroundings (think texture, style, design). Some great ideas include:

    • trees or flowers
    • the texture of a wall or door
    • a design feature of the building or room you were in
    • a non-traditional ‘scenic’ view (such as a normal street) that captures the feel of the city or town.

    3 ways to capture life's details like a pro

Struggling to imagine how this translates to your scrapbook pages? Here’s a recent layout example I prepared to illustrate how I use detail shots alongside more traditional portraits on a page. This type of photo also lends itself perfectly to pocket-style scrapbooking and 365/52 projects, because you may already be capturing little details like meals, new purchases, or favorite things.

Layout: Into The Woods by Kathryn Wilson
Using Woodland Winter Collection by Studio Flergs available 01/16 at The Digital Press

3 ways to capture life's details like a pro

 

So there you have it! For this January, we’re setting ourselves challenges that are all about focus over in the forum. Hopefully we’ve inspired you to focus on the details in your photos and memory-keeping, so we hope you’ll join in on our details challenge, which starts January 16.

 

KathrynAbout the author: Kathryn Wilson shares her 1920s New Zealand home with her husband, a wauzer, and a cavoodle. She is a photographer, and both a digital and hybrid pocket scrapbooker, who has lots of DIY projects she should probably be working on right now.

Grab that DSLR out of the closet and focus on your subject

Focus on your subject

The holidays are over, our schedules are a little less strenuous, and for many of us, it’s cold outside. It’s also a new year with new goals and new projects. That means it’s time to drag out that DSLR and work on our photography skills. Yep, even professionals strive to learn new things and brush up on basic skills, or even push new limits to our creativity. The subject of focus could take up the whole month of tutorials and challenges, but I’m going to keep it simple and add some links for more in-depth study.

Nail your focus

One of the first rules of photography is that the subject should be sharp. Most modern digital cameras offer a number of ways of achieving sharp images. Portrait photography often means using a wide aperture and longer focal lengths to create a shallow depth of field, throwing the background out of focus. This makes focusing more challenging than usual, as sharpness is captured across a very narrow plane, often of just an inch or two. Some basic tips include using a narrow aperture, using a faster shutter speed, and image stabilization with a tripod and a timer or shutter release to avoid camera shake.

Tips for Sharp photos

Getting Sharper images

Some more advanced tips are below:

  1. Focal points

Some photographers like to focus using the center focus point and then recompose, while others will set an off-center focus point. The important part is to choose just one focal point at a time. Most DSLRs are set to use all focal points at once and choose what to focus on. The camera is likely going to choose to focus on an area of highest contrast. Setting the AF point yourself gives you the maximum level of control over where your camera focuses, and it’s a good option for landscape, still life and portrait photography when you don’t have moving subjects. This way, you’ll prevent your camera from hunting around for what to focus on, or focusing where you don’t want it to.

For more information about focal points, check out these links:

Getting to know your camera’s focal points

Know your focusing system

  1. Where to focus

The eyes are the most vital element of a portrait, so it’s essential to record them sharply, particularly if you’re using a wide aperture. As I mentioned earlier, cameras like to focus on areas of high contrast. The best place to point your camera is at the edge between the iris and sclera of the subject’s eye. This is the area of highest contrast. Aiming at the corner of the eye is also used.

  1. Back button focus

Most DSLRs are set up so that half-pressing the shutter triggers the autofocus. Why entrust both focusing and shutter release to the same button, when a button for each can potentially give you greater control?  Many photographers prefer a custom function that triggers autofocus with a rear button positioned where your thumb usually rests  (see your camera manual to see how to set it up). It takes a little time to get used to it, but can give you greater control when focusing and composing your shot.

In addition to your camera’s manual, here are some links for more information about BBF:

Back button focusing

Focus accurately

Here is my example for a photo in which I nailed the focus on the eyes.  My daughter loves to take baths and play in the bubbles with her rubber ducky.

Grab that DSLR out of the closet and focus

 


Selective focus

One of the first steps toward taking more creative photos is learning how to control how much of your picture is in focus.

  1. What is Selective Focus?

Selective focus is when you focus on the specific part of a subject you want to highlight or emphasize, and let the rest fall into the blur of the background (or the foreground — you can be as creative as you like with selective focus). Selective focus is often used to draw attention to a subject or part of a subject to make it stand out in a busy settion. Other times, it’s used to evoke an emotion when viewing the subject in context of its blurred but recognizable surroundings.

  1. Bokeh

Bokeh is a word used a lot by photographers, but what the heck is it? In photography, bokeh is “the aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens” or to put it bluntly, it’s the blur of the background

  1. Achieving selective focus

Larger apertures, f-stops like f/1.2 – f/2.8, let in more light, while smaller apertures like f/16 – f/22 let in less light.

The choice of aperture has much more impact on the look and feel of an image than brightness alone. Although small apertures let in less light, they offer a wider depth of field. Landscape and macro photographers routinely use small apertures to get more of the picture to appear as sharp, where as, portrait photographers tend to shoot at much wider apertures. Large apertures produce a narrower depth of field, producing a sharp subject between a blurred foreground and background. The closer you are to the foreground, and the more distance there is between the subject and the background, the more pronounced the effect.

In selective focus photography, the parts in focus and out of focus are equally important, but nothing about the technique is particularly difficult.

Here are some tips to remember:

  • Use a Large Aperture- Depending on your lens, your largest aperture may be 2.8 or even 3.5.
  • Choose a Longer Focal Length – If your lens won’t open wider than 3.5, use your longest lens or a zoom lens extended to the far end of its range. Longer focal lengths create a compression effect that throws the background out of focus.
  • Identify Useful Out of Focus Areas – The out of focus areas of your photo should be recognizable, not just blurry blobs in the frame, so think about your goal.
  • Pay attention to the Angle – The goal is to use an angle that causes the surrounding defocused elements to be farther away from the main subject, especially when you are limited by space.
  • Keep Composition in Mind – Put the subject in such a place that allows the viewer’s eye to wander off and still be able to enjoy the rest of the image.

Find more information and helpful tools about Depth of Field here:

F-stop chart

Selective focus

DOF master

DOF calculator

DOF tutorial

Here is my example photo where the rubber ducky is in focus, but my daughter is not.  Notice that you can still identify her in the background, but the focus is on her playing with the rubber ducky.

Grab that DSLR out of the closet and focus


January 14 challenge

The challenge is to make a LO that highlights a photo (making the photo take up 50% or more of the page) with either SHARP focus or selective focus/great bokeh. To complete this challenge, please complete a page and post it in a reply to this post.

Now, for the rules…

  1. Pages must be created using 100% TDP Products and loaded in the gallery no later than midnight EST on January 31, 2015.
  2. Please link your gallery listing in this thread: The Drawing Board: Challenges– JAN 14
  3. Link your comment in this thread in the monthly challenge tracker thread. You can find it here: January’s Tracking Thread
  4. Have fun!!!

splash-time


 

FarrahAbout the Author:  Farrah Jobling is a member of the Creative Team here at The Digital Press.  She lives in Denver with her amazing family, Mike, Nicholas (8), Claire (5) and Hope (7 mo puppy).  She works from home as a photographer and enjoys scrapping her personal photos.